Showing posts with label Saturday matinee. Show all posts
Showing posts with label Saturday matinee. Show all posts
Friday, November 7, 2014
FREE READ SAMPLE CHAPTER "THE EMPEROR MARKED FOR DEATH" ADVENTURE OF THE 1ST NON-COSTUMED SUPER HERO!
DRAMATIS PERSONAE
The Heroes
THE EMPEROR – Central figure of The Emperorverse, smart, swift, capable of amazing feats, all but indestructible, well dressed, and able to charm beautiful women with a single smile, Charles Lee Jackson, II, not only leads the fight for law and justice against all odds but collects the records of his cases and those of his partners to dramatize them for you.
BILL MILLS – Musician, stuntman, and adventurer who joined The Emperor to make motion pictures and stayed to fight crime. Whether on stage or in the field, a winner.
MAX DECKER – Federal Intelligence agent who met The Emperor in the field and worked for many years as a crime-fighter while masquerading as a criminal gang-leader, The Gila.
CHRISTOPHER "KIT" CASSIDAY – Innocent secretary who gets caught up in the deadly battle between The Emperor and the villain.
The Villains – but not this time
VARAN HARUCHI – The Black Dragon, leader and creator of Continent-Eight, the international Executive of Crime, expatriate Japanese criminal whose exposure to arcane experimental chemicals has resulted in his long-lived youthful appearance, and who, due to plastic surgery, now bears an uncanny resemblance to The Emperor.
DR. YALTA – Doctor and dentist recruited by US intelligence for his resemblance to warlord Adolf Hitler, kept young by the same accident, supervises medical and scientific crimes for Continent-Eight.
MASKMAN – Mysterious helmeted figure, whose true identity is unknown even to his partners in crime, who supervises scientific crimes, and conducts experiments for the Continent-Eight.
The Villain
HORST STERLING ROSEFELD – Mysterious and powerful leader of the Church of Nihilism, dedicated to the destruction of the human race, and ruthless enough to accomplish it. His great strength and endurance make him a dangerous foe for The Emperor.
CONTENTS
Chapter One Miner Difficulties
Chapter Two In Your Philosophy
Chapter Three The Dead and the Quick
Chapter Four The Terrors of the Earth
Chapter Five Idylls of The Emperor
Chapter Six Storming the Castle
Chapter Seven Going Bughouse
Chapter Eight A Mighty Man Is He
Chapter Nine The Old Town Tonight
Chapter Ten The Not-so-quick and…
Chapter Eleven Deadly Cold
Chapter Twelve Relatively Heroic
Last Chapter Alice's Queen Refigured
PROLOGUE
YOU SEE ALL sorts of things out in the country.
Understand, I didn't see this, didn't hear of it, didn't even know about it until recently, but once a few facts came to light and I started to put things together, this is what I found.
It was like a sort of ripple, or a flat dust-devil, a loose agglomeration of particles loping across the ground. The first mention of it was in a police report, out near the desert town of Llano, north of Los Angeles. It was November of nineteen seventy-seven. Several elderly folks complained about ants crawling over their feet – but there were no ants to be found, no indication of their passage, no bite marks, nothing.
Christmas that year brought an account of "dust bunnies" on the highway near Red Rock Canyon. A park ranger claimed that something that looked like little tumbleweeds not only rolled past him, but detoured around him when he stepped in front of them. The ranger followed the tumbleweedy stuff for over an hour, observing that it was really more like a wave, thicker enough in spots to be obvious but thinned out in others.
In Mojave, California, the next spring, things that looked like actual tumbleweeds were spotted blowing through town – except that the wind was from the east, and the "tumbleweeds" were moving against it. A woman at a motel swore that the dusty stuff had broken open, diverting around the building!
The last report came from a couple of superannuated hippies who'd been camped out in the wilderness north of Edwards Air Force Base. They claimed to have seen waves of dust converging on a central point, where they climbed one upon the other, building into a tower about six feet high, a mass that coalesced into a man!
The man roughed up the couple, knocking down the hippie and threatening the girl until she gave him some of their clothes; for the man's own suit, some sort of uniform, was scorched and tattered.
Given that when the pair stumbled into the local sheriff's office both were somewhat the worse for wear and not a little under the influence, the report was taken and filed and forgotten.
It shouldn't have been, but one can hardly blame the sheriff for discounting the story. He'd never heard any of the other reports, and wouldn't have connected them if he had.
But it sure would've saved me a lot of trouble.
I'D JUST COME back from a science-fiction convention the Thanksgiving week-end of that year, where I'd been one of many guest speakers. Being too early Monday morning for any reasonable person to be awake, I was dressed casually, which means no neck-tie. I'd just sat down when my executive assistant, Heather McKenzie, entered my office and without preamble said, "When did you sell the Lone Star?"
I looked at her, five and three-quarters of a foot of pretty – and pretty efficient – young woman with sandy blonde hair and bright green eyes, dressed in a sharp looking straw-colored suit and a beige silk blouse with a scarf-neckline.
"Never."
"Well, we just got a call from Ramsom saying some guy named Sterling showed up this morning with papers saying you did."
To bring you up to speed, the "Lone Star" is a little silver mine I own up in Idaho, and Ramsom, the foreman, is a young member of the family that had originally owned it in the nineteenth century. Both that family and I have brought a lot of ore out of that hole, and I've used my share of the resultant wealth to finance my what-you-call second career, the fight against crime.
I mused only a moment before saying, "Then I'd better run up there and disabuse this 'Sterling' of that notion."
"Yes, Sire," McKenzie said with a smile, "Nobody steals from… The Emperor."
Chapter One
Miner Difficulties
BEFORE SUNDOWN I was standing in the trailer that comprised the office of the Lone Star Mine, an hour out of Coeur d'Alene, Idaho. Outside was a verdant landscape only slightly blighted by the diggings. Like the original owners, I'd kept the mine entrance concealed, and left the surroundings unblemished.
If you're not familiar with me, that was my name on the title page, and my nom de guerre in the title itself. As a crippled child, I had strived to overcome my difficulties and had succeeded more thoroughly than anyone could have guessed, and now I'm gifted with abilities and skills beyond those of ordinary men. Though my career is entertainment, my responsibility is using my power for Good. So I'm a story-teller by day and a crime-fighter by, well, by day, too. In the late 'seventies I was primarily involved in making motion pictures, but images or words, the adventures I produce are based mainly upon case files of actual events in which my Swashbuckling friends and I have been involved.
You may have seen some of my re-creations, and if so, you'd recognize me: five, ten; brown hair with a bit of red in it and a little gray; blue eyes with green sunbursts in them; a ready wit and the smile of a pirate, dressed most often in black trousers and shirt, with a gray jacket and silver neck-tie. You couldn't miss me.
I was running my operation from an office in a building north of Hollywood Boulevard, into which I'd recently moved after my previous location nearby had been fire-bombed by an organization known as "Dominion" in retaliation for my foiling two of their devilish plans of conquest and destruction, about which you may have read. My associates and I were settling into the new digs well, and it looked at the time like we'd be back in business on a full time basis soon.
Part of that business was entertainment, but the part of it upon which I had just embarked was the other part, trouble-busting.
After speaking to foreman Ramsom by telephone, I'd made a few other calls, squared away the entertainment business for the day, and fired up my favorite aircraft, Skystar, a jet plane styled like the famous Concorde, with its modified delta wings and "scoop snoot", but about a third the size. Equipped with panels of a gravity-defying metal, it can take off and land pretty much anywhere, so it was now settled in the middle of the mine's dirt parking lot. As the employees had all been sent home that morning, there was plenty of room in that lonely location.
IDAHO MAY BE more famous for potatoes, but it's also a great place for forestry, services, and mining. Deposits of silver and molybdenum in several parts of the state have brought in millions over the years, though within a decade of this particular adventure some of the old holes would be played out to the detriment of the market.
The Gem State joined the Union in eighteen ninety, and some parts of it seemed unchanged since those days; in fact, a sign reading "Lewis and Clark wuz here" wouldn't have looked out of place in Shoshone County, in the east part of the tall skinny neck of the state. That rustic quality wouldn't last long, though, for the population had been on the increase for decades, and the trend looked like it would continue through the turn of the century.
Shoshone is Rocky Mountain country, and one of the silver-bearing areas is in a pastoral area just north of the Saint Joe National Forest, and about ten miles from the county seat, Wallace.
Recent rains made the area lush, with pines and grass competing for any available green. Even the other mines, several in a comparatively small tract, made less of an impact on the environment than they might have, with little surface evidence beyond the big holes in the ground. Most of the offices adjacent to these mines were temporary structures, for all the many years they'd stood.
IN MY OFFICE/TRAILER, for example, I was standing over a fellow seated at what should've been Ramsom's desk. Sitting in his place was this stranger, nicely dressed in a brown sharkskin suit, tan shirt, and maroon neck-tie, a stocky fellow, about six feet tall, with a lantern jaw and black eyes. His complexion was sallow, but seemed like it should be ruddy, somehow.
He scowled up at me, entirely unimpressed by my striking figure.
"I'm here to see the manager," I said, starting out polite.
"I'm in charge here," he claimed.
"You're not the manager," I told him. "I'm looking for Mister Ramson. He was here the last I time I came up."
"Ramson's gone. I'm in charge here, now. If that's all, good day."
"It's not all. Do you know who I am?"
"I don't care who you are," he said. "I'm in charge of this property."
"I'd like to know how. This mine has been in the same hands for almost twenty years."
"Well, it's not any more. I bought this mine property free and clear from the owner, and that's all there is to say. Now get out."
"You're welcome to try to move me, Mister…?"
"Sterling. Horst Sterling."
"Sterling. Can you make me leave my property?"
"Your property? My company, Sterling and Associates, bought this property from a…" he paused to look at the top sheet on a stack of papers on his desk, "…Charles Jackson of Los Angeles."
"Who happens to be me," I pointed out. "And I haven't sold this mine to anyone."
Sterling stood. "I don't know who you are, Mister, but I met with Jackson last Friday in town and we signed the papers."
I stepped over to my left to a file cabinet and collected a heavy brochure, and slapped it down on the desk. I slipped a finger under the cover and opened the brochure to the title page, where there was, among other things, a photograph of me.
"I don't know who you met with, but you can see it wasn't the owner of this mine."
Sterling stared at my face in print and looked up to my face in person, but it was obvious he was still going to be belligerent about it.
"Now, I suggest you go find your lawyer and find whoever took your money and get it back. Or my lawyer will be up here to help you go."
"I don't know what's going on here, but I paid a lot of money for this property and I'm keeping it. You want it, you'll need a lot more than your word."
"I've got a lot more," I said. "I can have federal marshals here by tomorrow morning to remove you from these premises."
That got some action, but not what I was expecting.
STERLING PRODUCED A small capsule from his jacket pocket, and threw it in my face! The pellet burst with a puff of weird smelling gas, which provoked a sneeze from me.
Sterling, however, seemed startled. But only for a moment.
Moving with a speed surprising for someone of his bulk, he fairly leapt from a sitting position, flying over the desk and tackling me amidships. Unprepared, I was knocked back several steps before I caught my balance. And by the time I did, Sterling was already on the attack, hammering at me with fists like pile-drivers. Anybody else would've been pounded senseless.
He struck at my jaw, my chest, my stomach. Dancing around me he pummeled me with a fast dozen kidney punches. I spun on my heel, catching him in the solar plexus with my elbow and following it up with a right to his jaw.
He'd seemed surprised and confused that his attack had been ineffective against me. I was surprised it had been as effective as it had been. Contrariwise, I was startled that my counter-attack against him had been relatively ineffective.
His strength was impressive, and so was his endurance. My double strike had only cost him his footing, and he sprang upright again almost immediately.
An old-fashioned fist-fight was not what I'd been expecting from what seemed like an ordinary high-binder trying to chisel my mine, but now that we'd taken the measure of each other, that's what it was sure to be.
I am, as I said, rather more than I appear. I'd worked very hard to overcome my childhood disability, and I hadn't stopped when I was on an even footing with everyone else. I'm very quick, and very strong, and impervious to most injury. (I'm also very smart and handsome, but you didn't hear that from me; modesty, you know.) This superior ability is what got me into the trouble-busting business in the first place, and my proficiency at it is what commands the respect of my fellow crime-crushers.
It also gave me the wherewithal to back up my position.
As Sterling was finding out.
HE THREW HIMSELF forward, grabbing me up in a bear-hug. He lifted me from the floor and began to close his grasp. The pressure was amazing; intended to crack ribs, it was the strongest grip I'd ever felt.
Sterling grew red in the face, and sweat beaded upon his forehead. He was really trying, and had lost sight of common sense.
I hooked my ankles behind his knees, and head-butted him as hard as my poor leverage could manage. His head snapped back from mine and his knees buckled. He released me as he toppled backward, and I got in one line-drive to his jaw as he fell.
But his stamina was amazing, and he rolled over and regained his footing even as I sprang sidewise from where I had alighted. Sterling came at me but was just behind the curve, missing me by inches. I back-handed him across the base of his skull as he passed, and he stumbled forward, crashing headlong into the row of steel file-cabinets, the fronts of which buckled under the impact.
He went down to hands and knees, shaking his head as though to clear it. He stood up, turning to stare at me through eyes obscured by blood that now trickled down from a wide gash at his hairline.
Ignoring what ought to be severe pain, he charged me again. This time I used a trick I'd been perfecting recently: I simply stepped aside so fast he didn't even see me move, and his charge was so single-minded that he sailed right past me through the space I'd occupied, slamming against the front wall of the trailer.
The structure couldn't stand the strain, and the thin metal wall and a window therein gave way.
Sterling ended up half in and half out, his torso dangling against the outside of the trailer.
Coming outside, I stood before him, lifting him by the shoulders, assuming he'd be unconscious. He wasn't.
HE HIT ME with a line-drive fist right in the face. Caught off-guard, I was knocked completely off my feet. I skidded to a stop in the dirt and rolled over, getting back upright.
Sterling came at me full tilt, and I side-stepped only slightly, hooking an elbow through his and sending him spinning. He twirled and sat down hard, and swore at me in some language I didn't recognize.
He started to get up, but I closed in, bringing up a good old hay-maker to the point of his jaw. It stood him up, but, rather than falling over backward, he stayed on his feet and came at me.
I was quick, but even so Sterling was at me again before I could brace myself. His freight-train attack picked me up and knocked me flat. Sterling slammed himself down on my chest and grabbed another of those pellets from his now torn and soiled jacket.
"I don't know why the first one didn't kill you, but this one will!" he shouted.
I was staring up at him in wonderment, my jaw drooping. He shoved the capsule into my mouth and crushed it.
It tasted like the odor in a powerhouse, and I coughed, spewing a cloud of the unpleasant gas into Sterling's face.
He'd expected the gas to be poisonous to me, but I don't poison easily. I don't know what I expected the gas to do to him, but it wasn't what did happen.
His head became transparent. Then his whole body became insubstantial.
At first he was surprised, but then an evil leer crossed what little I could see of his face. He leaned forward, pushing his face and shoulders against me. I swatted at him, and his body blew apart like smoke in a breeze.
The rest of him reared away from me, and collapsed into a sort of dusty tumbleweed for a moment before reinstating itself as a man. (You see how this ties in with those strange events I mentioned earlier. Obviously there was a lot more going on here than I knew at the time.)
Sirens sounded in the middle distance, and as Sterling solidified once again, he poised on the balls of his feet for a moment, clearly weighing the odds of fight versus flight.
Flight won.
By the time the local sheriff pulled up, summoned by complaints about the noise we'd been making, I was all tidied up after the fight, and entirely alone.
Tuesday, September 30, 2014
HOW THE SERIAL "FLASH GORDON CONQUERS THE UNIVERSE" WAS MADE - PLUS FREE ALL 12 CHAPTERS
The following is excerpted from film historian Charles Lee Jackson II's ebook, The Story of the Making of the Flash Gordon Movie Serials, expanded from his classic Filmfax article.
Plans for a sequel to 1939's Buck Rogers were scrapped when the public cried out for Buster Crabbe, who had also played Buck, to resume his "proper" role, and MacRae soon began work on the third and last in the series, Flash Gordon Conquers the Universe, to be released in late winter 1940.
With MacRae back in charge, authenticity was again in the ascendant. In four years the strip had matured into one of the most beautifully drawn features on the comics pages, and this was reflected in the designs of the serial, making it one of the most opulent chapter-plays ever. Each of the main protagonists got several changes of wardrobe, with Dale seeming to get a new outfit every couple of chapters. Ming exchanged his robes for a tailored military uniform, and the Arborians all wore snazzy Merry Men cast-offs.
Writers Plympton and Dickey returned, joined by Barry Shipman. Possibly to avoid mentioning "Trip to Mars", the script contains no direct references to earlier adventures, just a few general remarks. Ray Taylor also came back, to officially co-direct with Ford Beebe. The two teamed much in the same manner as Republic's Bill Witney and Jack English, alternating shooting days.
Plans for a sequel to 1939's Buck Rogers were scrapped when the public cried out for Buster Crabbe, who had also played Buck, to resume his "proper" role, and MacRae soon began work on the third and last in the series, Flash Gordon Conquers the Universe, to be released in late winter 1940.
With MacRae back in charge, authenticity was again in the ascendant. In four years the strip had matured into one of the most beautifully drawn features on the comics pages, and this was reflected in the designs of the serial, making it one of the most opulent chapter-plays ever. Each of the main protagonists got several changes of wardrobe, with Dale seeming to get a new outfit every couple of chapters. Ming exchanged his robes for a tailored military uniform, and the Arborians all wore snazzy Merry Men cast-offs.
Writers Plympton and Dickey returned, joined by Barry Shipman. Possibly to avoid mentioning "Trip to Mars", the script contains no direct references to earlier adventures, just a few general remarks. Ray Taylor also came back, to officially co-direct with Ford Beebe. The two teamed much in the same manner as Republic's Bill Witney and Jack English, alternating shooting days.
Standing
sets from Green Hell and Tower of London, recently vacated, were
pressed into service, and an assortment of movable wall flats were juggled and
augmented with lighting effects to provide corridors. The impressive cliffs of
Red Rock Canyon, just north of Mojave, and various back-lot areas were used for
exteriors. One section of studio hillside was silvered up to match stock
footage from the German The White Hell of Pitz Palü (which Universal
had released in 1930, with an added sound and music track) for an arduous trek
into forbidding Frigia, the polar land on Mongo. Jerome Ash and Eddie Keyes'
miniatures rounded out the landscape, as well as the skyscapes with an
assortment of new and old rocket ships.
Another
lavish element is the sound track, with its variety of ray-gun blasts,
explosions, and rocket motors. And the music – beginning with a rousing excerpt
from "Les Preludes" by Franz Liszt behind the Main Titles and
including newly orchestrated pieces originally heard in features such as Bride of Frankenstein, Son of Frankenstein, and Tower of London – makes the film as
delightful to the ears as to the eyes.
A
MacRae innovation that had previously seen service in Buck Rogers and other titles was the receding roll-up foreword, in
which paragraphs of re-capitulation scroll up the screen and angle away from
the viewer toward the upper frame line. George Lucas liked this so much that he
later used an animated version for the "Star Wars" series.
To see Chapters 6-10 and read more of How the Serial "Flash Gordon Conquers the Universe" Was Made click here.
HOW THE SERIAL "FLASH GORDON CONQUERS THE UNIVERSE" WAS MADE - PLUS WATCH CHAPTERS 6-10
The following is excerpted from film historian Charles Lee Jackson II's ebook, The Story of the Making of the Flash Gordon Movie Serials, expanded from his classic Filmfax article.
Casting
was mostly easy: the principals returned, though Jean Rogers, who was by then
at 20th Century-Fox, was unavailable (She later moved to M-G-M, where she
attracted the eye of Louis B. Mayer [sound familiar?], whose advances she
rebuffed). Pretty Carol Hughes, an ingénue
from RKO and Warners, assumed the part of Dale Arden, and acquitted herself
well, looking as much like Dale as Buster did Flash. Society-type player Roland
Drew replaced Richard Alexander as Barin, who had slimmed down after settling
into married life with Aura, now Shirley Deane. Republic cliffhanger star Lee
Powell appeared as back-up hero Roka, and Donald Curtis (later of films such as
It Came from Beneath the Sea) was
Frigian Captain Ronal. William Royle, about to step into the shoes of Nayland
Smith in Drums of Fu Manchu, played a
Barin sympathizer in Ming's guard. Stocky Don Rowan was Torch, who had been (as
Earl Askem) a mere officer in Flash
Gordon, now Ming's trusted Captain. Veterans Byron Foulger, Michael Mark,
Ben Taggart, Tom Chatterton, and Herbert Rawlinson, and comparative newcomers
like Edgar Edwards and Jeanne Kelly (who was re-christened “Jean Brooks” at RKO
Radio – as though someone might confuse her with a certain Metro dancer), as
well as favorites Ernie Adams, Ray Mala, and Roy Barcroft in the fairly large
cast.
Anne
Gwynne, a rising starlet, got the bad-girl role as Lady Sonja. Sonja, carried
over from the strip, had been a minor character who had loved Flash, but when
rebuffed, allied herself with Ming. She aided the emperor in an escape in
exchange for a promise of marriage. He made good his promise – but promptly had
the new empress executed. That’s Ming for you. She fared little better on
screen, though Gwynne went on to a career in Universal programmers, and still
made an attractive star as late as 1958’s Meteor
Monster.
Shooting
commenced at the end of November 1939, with location work at Red Rock Canyon,
the popular shooting location north of Hollywood. Delayed by bad weather, the
unit never did quite catch up, even with the prodigious amount of scenes made
back at the studio (and even with a second unit added to the picture), and MacRae’s
continued efforts to trim the picture’s sequences. The picture closed $8000
over its $165,000 budget.
But
the public knew nothing of these trials and tribulations; in fact, they got an
added bonus in the "Flash Gordon" daily strip, which began while the
serial was playing in theatres.
HOW THE SERIAL "FLASH GORDON CONQUERS THE UNIVERSE" WAS MADE - FREE SEE CHAPTERS 11-12
The following is excerpted from film historian Charles Lee Jackson II's ebook, The Story of the Making of the Flash Gordon Movie Serials, expanded from his classic Filmfax article.
When the Earth finds itself the victim of a mysterious plague, the "Purple
Death", Dr. Zarkov, suspecting interplanetary foul play, ascends once
again like Little Eva to the heavens, accompanied of course by Flash and Dale.
On Mongo, Flash learns that Ming has again seized power, and is indeed
responsible for the Purple Death – which kills only intellectuals, leaving the
Great Unwashed Masses ready for enslavement.
Zarkov
determines that a mineral found only in the frozen north of Mongo can be used
to make a cure, and, with Queen Fria's blessing, the adventurers and their new
friends rocket to icy Frigia. Without protection (of course invented by
Zarkov), Ming's men cannot venture there, so they send "annihilatons",
walking bombs, to destroy the good guys.
Ming's
forces fail, and Zarkov saves Earth, but Flash and company must return to Mongo
to foil additional plans of their enemy. After a sojourn in the Land of the
Dead (home of the aboriginal Rock Men), and despite the counter-plots of the
evil Sonja, posing as one of Aura's courtiers, Flash eventually corners Ming in
his tower. When Captain Sudin, supposedly Ming's trusted guard, locks him in,
the emperor is helpless as an explosive-laden rocket homes in on the tower. (A
line of dialogue was included to indicate that there was another way out, if only Ming weren't too terror-stricken to
think of it – in case a fourth serial
was made.)
Patting
each other on the backs, the heroes prepare to return home. Told that he's
saved the universe, Flash reminds his friends that Ming claimed in his mad
ambition to be the universe. So
Zarkov decides he'll radio Earth, "Flash Gordon conquers the
universe". Wow.
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