Showing posts with label serials. Show all posts
Showing posts with label serials. Show all posts
Friday, November 7, 2014
FREE READ SAMPLE CHAPTER "THE EMPEROR MARKED FOR DEATH" ADVENTURE OF THE 1ST NON-COSTUMED SUPER HERO!
DRAMATIS PERSONAE
The Heroes
THE EMPEROR – Central figure of The Emperorverse, smart, swift, capable of amazing feats, all but indestructible, well dressed, and able to charm beautiful women with a single smile, Charles Lee Jackson, II, not only leads the fight for law and justice against all odds but collects the records of his cases and those of his partners to dramatize them for you.
BILL MILLS – Musician, stuntman, and adventurer who joined The Emperor to make motion pictures and stayed to fight crime. Whether on stage or in the field, a winner.
MAX DECKER – Federal Intelligence agent who met The Emperor in the field and worked for many years as a crime-fighter while masquerading as a criminal gang-leader, The Gila.
CHRISTOPHER "KIT" CASSIDAY – Innocent secretary who gets caught up in the deadly battle between The Emperor and the villain.
The Villains – but not this time
VARAN HARUCHI – The Black Dragon, leader and creator of Continent-Eight, the international Executive of Crime, expatriate Japanese criminal whose exposure to arcane experimental chemicals has resulted in his long-lived youthful appearance, and who, due to plastic surgery, now bears an uncanny resemblance to The Emperor.
DR. YALTA – Doctor and dentist recruited by US intelligence for his resemblance to warlord Adolf Hitler, kept young by the same accident, supervises medical and scientific crimes for Continent-Eight.
MASKMAN – Mysterious helmeted figure, whose true identity is unknown even to his partners in crime, who supervises scientific crimes, and conducts experiments for the Continent-Eight.
The Villain
HORST STERLING ROSEFELD – Mysterious and powerful leader of the Church of Nihilism, dedicated to the destruction of the human race, and ruthless enough to accomplish it. His great strength and endurance make him a dangerous foe for The Emperor.
CONTENTS
Chapter One Miner Difficulties
Chapter Two In Your Philosophy
Chapter Three The Dead and the Quick
Chapter Four The Terrors of the Earth
Chapter Five Idylls of The Emperor
Chapter Six Storming the Castle
Chapter Seven Going Bughouse
Chapter Eight A Mighty Man Is He
Chapter Nine The Old Town Tonight
Chapter Ten The Not-so-quick and…
Chapter Eleven Deadly Cold
Chapter Twelve Relatively Heroic
Last Chapter Alice's Queen Refigured
PROLOGUE
YOU SEE ALL sorts of things out in the country.
Understand, I didn't see this, didn't hear of it, didn't even know about it until recently, but once a few facts came to light and I started to put things together, this is what I found.
It was like a sort of ripple, or a flat dust-devil, a loose agglomeration of particles loping across the ground. The first mention of it was in a police report, out near the desert town of Llano, north of Los Angeles. It was November of nineteen seventy-seven. Several elderly folks complained about ants crawling over their feet – but there were no ants to be found, no indication of their passage, no bite marks, nothing.
Christmas that year brought an account of "dust bunnies" on the highway near Red Rock Canyon. A park ranger claimed that something that looked like little tumbleweeds not only rolled past him, but detoured around him when he stepped in front of them. The ranger followed the tumbleweedy stuff for over an hour, observing that it was really more like a wave, thicker enough in spots to be obvious but thinned out in others.
In Mojave, California, the next spring, things that looked like actual tumbleweeds were spotted blowing through town – except that the wind was from the east, and the "tumbleweeds" were moving against it. A woman at a motel swore that the dusty stuff had broken open, diverting around the building!
The last report came from a couple of superannuated hippies who'd been camped out in the wilderness north of Edwards Air Force Base. They claimed to have seen waves of dust converging on a central point, where they climbed one upon the other, building into a tower about six feet high, a mass that coalesced into a man!
The man roughed up the couple, knocking down the hippie and threatening the girl until she gave him some of their clothes; for the man's own suit, some sort of uniform, was scorched and tattered.
Given that when the pair stumbled into the local sheriff's office both were somewhat the worse for wear and not a little under the influence, the report was taken and filed and forgotten.
It shouldn't have been, but one can hardly blame the sheriff for discounting the story. He'd never heard any of the other reports, and wouldn't have connected them if he had.
But it sure would've saved me a lot of trouble.
I'D JUST COME back from a science-fiction convention the Thanksgiving week-end of that year, where I'd been one of many guest speakers. Being too early Monday morning for any reasonable person to be awake, I was dressed casually, which means no neck-tie. I'd just sat down when my executive assistant, Heather McKenzie, entered my office and without preamble said, "When did you sell the Lone Star?"
I looked at her, five and three-quarters of a foot of pretty – and pretty efficient – young woman with sandy blonde hair and bright green eyes, dressed in a sharp looking straw-colored suit and a beige silk blouse with a scarf-neckline.
"Never."
"Well, we just got a call from Ramsom saying some guy named Sterling showed up this morning with papers saying you did."
To bring you up to speed, the "Lone Star" is a little silver mine I own up in Idaho, and Ramsom, the foreman, is a young member of the family that had originally owned it in the nineteenth century. Both that family and I have brought a lot of ore out of that hole, and I've used my share of the resultant wealth to finance my what-you-call second career, the fight against crime.
I mused only a moment before saying, "Then I'd better run up there and disabuse this 'Sterling' of that notion."
"Yes, Sire," McKenzie said with a smile, "Nobody steals from… The Emperor."
Chapter One
Miner Difficulties
BEFORE SUNDOWN I was standing in the trailer that comprised the office of the Lone Star Mine, an hour out of Coeur d'Alene, Idaho. Outside was a verdant landscape only slightly blighted by the diggings. Like the original owners, I'd kept the mine entrance concealed, and left the surroundings unblemished.
If you're not familiar with me, that was my name on the title page, and my nom de guerre in the title itself. As a crippled child, I had strived to overcome my difficulties and had succeeded more thoroughly than anyone could have guessed, and now I'm gifted with abilities and skills beyond those of ordinary men. Though my career is entertainment, my responsibility is using my power for Good. So I'm a story-teller by day and a crime-fighter by, well, by day, too. In the late 'seventies I was primarily involved in making motion pictures, but images or words, the adventures I produce are based mainly upon case files of actual events in which my Swashbuckling friends and I have been involved.
You may have seen some of my re-creations, and if so, you'd recognize me: five, ten; brown hair with a bit of red in it and a little gray; blue eyes with green sunbursts in them; a ready wit and the smile of a pirate, dressed most often in black trousers and shirt, with a gray jacket and silver neck-tie. You couldn't miss me.
I was running my operation from an office in a building north of Hollywood Boulevard, into which I'd recently moved after my previous location nearby had been fire-bombed by an organization known as "Dominion" in retaliation for my foiling two of their devilish plans of conquest and destruction, about which you may have read. My associates and I were settling into the new digs well, and it looked at the time like we'd be back in business on a full time basis soon.
Part of that business was entertainment, but the part of it upon which I had just embarked was the other part, trouble-busting.
After speaking to foreman Ramsom by telephone, I'd made a few other calls, squared away the entertainment business for the day, and fired up my favorite aircraft, Skystar, a jet plane styled like the famous Concorde, with its modified delta wings and "scoop snoot", but about a third the size. Equipped with panels of a gravity-defying metal, it can take off and land pretty much anywhere, so it was now settled in the middle of the mine's dirt parking lot. As the employees had all been sent home that morning, there was plenty of room in that lonely location.
IDAHO MAY BE more famous for potatoes, but it's also a great place for forestry, services, and mining. Deposits of silver and molybdenum in several parts of the state have brought in millions over the years, though within a decade of this particular adventure some of the old holes would be played out to the detriment of the market.
The Gem State joined the Union in eighteen ninety, and some parts of it seemed unchanged since those days; in fact, a sign reading "Lewis and Clark wuz here" wouldn't have looked out of place in Shoshone County, in the east part of the tall skinny neck of the state. That rustic quality wouldn't last long, though, for the population had been on the increase for decades, and the trend looked like it would continue through the turn of the century.
Shoshone is Rocky Mountain country, and one of the silver-bearing areas is in a pastoral area just north of the Saint Joe National Forest, and about ten miles from the county seat, Wallace.
Recent rains made the area lush, with pines and grass competing for any available green. Even the other mines, several in a comparatively small tract, made less of an impact on the environment than they might have, with little surface evidence beyond the big holes in the ground. Most of the offices adjacent to these mines were temporary structures, for all the many years they'd stood.
IN MY OFFICE/TRAILER, for example, I was standing over a fellow seated at what should've been Ramsom's desk. Sitting in his place was this stranger, nicely dressed in a brown sharkskin suit, tan shirt, and maroon neck-tie, a stocky fellow, about six feet tall, with a lantern jaw and black eyes. His complexion was sallow, but seemed like it should be ruddy, somehow.
He scowled up at me, entirely unimpressed by my striking figure.
"I'm here to see the manager," I said, starting out polite.
"I'm in charge here," he claimed.
"You're not the manager," I told him. "I'm looking for Mister Ramson. He was here the last I time I came up."
"Ramson's gone. I'm in charge here, now. If that's all, good day."
"It's not all. Do you know who I am?"
"I don't care who you are," he said. "I'm in charge of this property."
"I'd like to know how. This mine has been in the same hands for almost twenty years."
"Well, it's not any more. I bought this mine property free and clear from the owner, and that's all there is to say. Now get out."
"You're welcome to try to move me, Mister…?"
"Sterling. Horst Sterling."
"Sterling. Can you make me leave my property?"
"Your property? My company, Sterling and Associates, bought this property from a…" he paused to look at the top sheet on a stack of papers on his desk, "…Charles Jackson of Los Angeles."
"Who happens to be me," I pointed out. "And I haven't sold this mine to anyone."
Sterling stood. "I don't know who you are, Mister, but I met with Jackson last Friday in town and we signed the papers."
I stepped over to my left to a file cabinet and collected a heavy brochure, and slapped it down on the desk. I slipped a finger under the cover and opened the brochure to the title page, where there was, among other things, a photograph of me.
"I don't know who you met with, but you can see it wasn't the owner of this mine."
Sterling stared at my face in print and looked up to my face in person, but it was obvious he was still going to be belligerent about it.
"Now, I suggest you go find your lawyer and find whoever took your money and get it back. Or my lawyer will be up here to help you go."
"I don't know what's going on here, but I paid a lot of money for this property and I'm keeping it. You want it, you'll need a lot more than your word."
"I've got a lot more," I said. "I can have federal marshals here by tomorrow morning to remove you from these premises."
That got some action, but not what I was expecting.
STERLING PRODUCED A small capsule from his jacket pocket, and threw it in my face! The pellet burst with a puff of weird smelling gas, which provoked a sneeze from me.
Sterling, however, seemed startled. But only for a moment.
Moving with a speed surprising for someone of his bulk, he fairly leapt from a sitting position, flying over the desk and tackling me amidships. Unprepared, I was knocked back several steps before I caught my balance. And by the time I did, Sterling was already on the attack, hammering at me with fists like pile-drivers. Anybody else would've been pounded senseless.
He struck at my jaw, my chest, my stomach. Dancing around me he pummeled me with a fast dozen kidney punches. I spun on my heel, catching him in the solar plexus with my elbow and following it up with a right to his jaw.
He'd seemed surprised and confused that his attack had been ineffective against me. I was surprised it had been as effective as it had been. Contrariwise, I was startled that my counter-attack against him had been relatively ineffective.
His strength was impressive, and so was his endurance. My double strike had only cost him his footing, and he sprang upright again almost immediately.
An old-fashioned fist-fight was not what I'd been expecting from what seemed like an ordinary high-binder trying to chisel my mine, but now that we'd taken the measure of each other, that's what it was sure to be.
I am, as I said, rather more than I appear. I'd worked very hard to overcome my childhood disability, and I hadn't stopped when I was on an even footing with everyone else. I'm very quick, and very strong, and impervious to most injury. (I'm also very smart and handsome, but you didn't hear that from me; modesty, you know.) This superior ability is what got me into the trouble-busting business in the first place, and my proficiency at it is what commands the respect of my fellow crime-crushers.
It also gave me the wherewithal to back up my position.
As Sterling was finding out.
HE THREW HIMSELF forward, grabbing me up in a bear-hug. He lifted me from the floor and began to close his grasp. The pressure was amazing; intended to crack ribs, it was the strongest grip I'd ever felt.
Sterling grew red in the face, and sweat beaded upon his forehead. He was really trying, and had lost sight of common sense.
I hooked my ankles behind his knees, and head-butted him as hard as my poor leverage could manage. His head snapped back from mine and his knees buckled. He released me as he toppled backward, and I got in one line-drive to his jaw as he fell.
But his stamina was amazing, and he rolled over and regained his footing even as I sprang sidewise from where I had alighted. Sterling came at me but was just behind the curve, missing me by inches. I back-handed him across the base of his skull as he passed, and he stumbled forward, crashing headlong into the row of steel file-cabinets, the fronts of which buckled under the impact.
He went down to hands and knees, shaking his head as though to clear it. He stood up, turning to stare at me through eyes obscured by blood that now trickled down from a wide gash at his hairline.
Ignoring what ought to be severe pain, he charged me again. This time I used a trick I'd been perfecting recently: I simply stepped aside so fast he didn't even see me move, and his charge was so single-minded that he sailed right past me through the space I'd occupied, slamming against the front wall of the trailer.
The structure couldn't stand the strain, and the thin metal wall and a window therein gave way.
Sterling ended up half in and half out, his torso dangling against the outside of the trailer.
Coming outside, I stood before him, lifting him by the shoulders, assuming he'd be unconscious. He wasn't.
HE HIT ME with a line-drive fist right in the face. Caught off-guard, I was knocked completely off my feet. I skidded to a stop in the dirt and rolled over, getting back upright.
Sterling came at me full tilt, and I side-stepped only slightly, hooking an elbow through his and sending him spinning. He twirled and sat down hard, and swore at me in some language I didn't recognize.
He started to get up, but I closed in, bringing up a good old hay-maker to the point of his jaw. It stood him up, but, rather than falling over backward, he stayed on his feet and came at me.
I was quick, but even so Sterling was at me again before I could brace myself. His freight-train attack picked me up and knocked me flat. Sterling slammed himself down on my chest and grabbed another of those pellets from his now torn and soiled jacket.
"I don't know why the first one didn't kill you, but this one will!" he shouted.
I was staring up at him in wonderment, my jaw drooping. He shoved the capsule into my mouth and crushed it.
It tasted like the odor in a powerhouse, and I coughed, spewing a cloud of the unpleasant gas into Sterling's face.
He'd expected the gas to be poisonous to me, but I don't poison easily. I don't know what I expected the gas to do to him, but it wasn't what did happen.
His head became transparent. Then his whole body became insubstantial.
At first he was surprised, but then an evil leer crossed what little I could see of his face. He leaned forward, pushing his face and shoulders against me. I swatted at him, and his body blew apart like smoke in a breeze.
The rest of him reared away from me, and collapsed into a sort of dusty tumbleweed for a moment before reinstating itself as a man. (You see how this ties in with those strange events I mentioned earlier. Obviously there was a lot more going on here than I knew at the time.)
Sirens sounded in the middle distance, and as Sterling solidified once again, he poised on the balls of his feet for a moment, clearly weighing the odds of fight versus flight.
Flight won.
By the time the local sheriff pulled up, summoned by complaints about the noise we'd been making, I was all tidied up after the fight, and entirely alone.
Wednesday, May 28, 2014
Stan Lee's Lightspeed Writer and Return of the Killer Shrews Director Steve Latshaw Raves for The Emperor's Gambit
Fan fave Steve Latshaw is a writer/director/producer who has worked with popular film and television stars Dolph Lundgren, Treat Williams, Jason Connery, Lee Majors, Dean Stockwell, John Schneider, and James Best among others. His film credits include Stan Lee's Lightspeed, Command Performance, Jack-O, Death Mask, Rangers, and Xenophobia. Steve is also a fan of Charles Lee Jackson II's Emperorverse. Below you can read what Mr. Latshaw has to say about book one, The Emperor's Gambit."I have a fondness for looking back at the mind candy of my youth from the 60s and early 70s... the paperback spy novels featuring Matt Helm, The Saint and the Men from U.N.C.L.E.; the James Bond movies, soundtracks and Bubble Gum Cards (Sean Connery, thank you very much). So many
memories... Alistair MacLean novels, the Avengers and the Persuaders on TV and, oh, those amazing Republic Serials, seen occasionally on the late show or local cable, and in Super 8mm Ken Films cutdowns. And I read about them in the pages of books by Alan Barbour and Don Glut & Jim Harmon, and the occasional, tattered issue of Screen Thrills Illustrated, treated like the gold it was.
"But over time the words, flickering images and memories seem to fade. Or at least they did, until I stumbled into the first few pages of Charles Lee Jackson II's The Emperor's Gambit. And now it all comes back with his series of novels. Mr. Jackson has created an embarrassment of high adventure riches, a literary stew pot mixing every cool paperback, comic, Super 8mm reel, late night TV treasure and John Barry score I've ever owned. Mr. Jackson's books combine the best of heady 60s and 70s spy adventure with the breakneck pace and scale of the great Republic serials, and all with a wry sense of good humor that rival's Napoleon Solo's best lines. And best of all, when I read them, I'm 12 years old again, and the world is new and full of intrigue, and possibilities. And high adventure. Oh, and the good guys win. As they should."
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Monday, April 21, 2014
Charles Lee Jackson II Talks about How and Why He became a Comic Book and Pulp Magazine Creator
HEAR THE FIRST PART OF THIS EXCLUSIVE THREE-PART INTERVIEW
Click on the player above to hear CLJII discuss the childhood events that led to his fascination with comic books, old movie serials, and pulp magazine heroes helped influence the creation of his character, The Emperor. A 1960s adventurer and crusader for good, The Emperor is smart, swift, capable of amazing feats, all but indestructible, well-dressed, able to charm women with a single smile. Together with his dedicated band of adventurers, The Emperor leads the fight for law and justice against all odds. A FuturesPast Editions/Deerstalker Editons podcast interview. Click HERE to Buy book #1, The Emperor's Gambit, for only $0.99 on Kindle at Amazon, and begin the adventure now!
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Wednesday, April 16, 2014
Read Chapters 1 & 2 of Charles Lee Jackson's "The Emperor's Gambit" - First Book in the Emperor Saga
THE EMPEROR'S GAMBIT
by Charles Lee Jackson II
Chapter One
DEADLY SILENCE
HOLLYWOOD WAS JUST waking up outside the
studio, that bright clear Spring Monday
morning in nineteen seventy-six. In
those hectic days, The Empire ran a middling sized motion-picture studio, a few
blocks north of Hollywood Boulevard near Gower. A broad central avenue ran
through the place, with an office building on one side and three Sound Stages
on the other. Behind the stages was a small back lot with a shallow lake.
Beyond the lake were a wooded glade and a mock-up of part of Bronson Canyon.
Now, if you're wondering why a federal
agent would be turning to a movie producer for help, it's easy to explain.
Though my main job is entertaining people, I've long had a sideline as a
champion of Justice.
My name is Charles Lee Jackson, the
Second, also known, as the above dialogue indicates, as "The Emperor",
originally a reflection of the entertainment empire I was building, but also an
apt name, given my special aptitudes. I had a disability as a child, and
overcoming that disability was only a start for me; for, as a friend once told
me, anything worth doing is worth overdoing. I worked at it very hard, as much
to shame those who told me I never could as to improve myself. And I really did
overdo it, at least as far as some people are concerned. I've become very
smart, very fast, somewhat bullet-proof, and a little magical. My only real
shortcoming is my modesty.
Seriously, I decided that if I had the power
to help others and crush crime, I really ought to use that power to do so. In
the course of this I've made a lot of like-minded friends and gained enough
respect that people like Max Decker would turn to me.
As for the movie part, my friends in the
trouble-busting game have graciously allowed me to recreate some of their
adventures. I used to make movies about them; these days I'm a little too busy,
so I stick to prose.
BUT IN THOSE by-gone days of the 'seventies,
my little studio doubled as a headquarters for the people I called "Swashbucklers"
and whom others called "J-Men",
Justice Men (and woman), free-lance crimefighters.
Though we didn't know it yet, everybody
else was aware of the problem onto which Max Decker had stumbled. We, however,
were just getting started. In those days, on my lapel I wore an insignia with
my company logotype, my signature in red on a silver background in a blue
ellipse. But it wasn't just a badge, it was a two-way radio. "Richmond?"
I addressed my radio operator. Working from a secret location, never seen by
the public, he'd been with me a decade, and never failed to be on the job when
anyone radioed or telephoned. But this time, there was no response. "...Richmond?"
Nope, no answer. I picked up the office 'phone and dialed nine-nine-nine.
"Richmond, why aren't—" the
static was awful. I asided to Deck, "Jeez, you're right, I can barely hear
him...." Back into the telephone: "Why aren't you answering the
wireless? ...Oh." I cradled the receiver.
"Richmond says he's been off the air
since about four AM. The satellite microwave beamer faded out in the last half
hour."
"Which means?" Deck asked.
"Which means that there must be what
amounts to a world-wide radio blackout – and enough static on the 'phone lines
to close down all communications in the world."
Decker blinked. "Any idea who could
be doing it?"
I mused a moment. "Continent-Eight
doesn't have the technology – they tried something like this a few years ago,
on a very limited scale, and it didn't work." Continent-Eight being a
world-wide organization of criminals, our most frequent opponents, about whom
you'll learn more in time.
"Hmmm," Deck considered at
length, "it shouldn't affect the telegraph lines…."
"That's an idea. Once the word gets
out, or actually, doesn't get out, I expect some of our compatriots will
turn up here, but if not, I'll get the word out one way or another and
maybe we can learn something about what's going on out there."
"OUT THERE", THINGS were
popping. Over at LA International Airport, the RADAR was out, and the runways
were being frantically cleared as a jumbo seven-forty-seven made its approach. The
pilot, running on Visual Flight Rules, was trying to land the crate by the seat
of his pants….
…At Station Twelve of the aforementioned
Continent-Eight, the Communications Chief was trying to comply with a request
from Maskman, one of the people in charge. Tall and broad-shouldered, his
identity was concealed by a steel helmet.
"Sorry, Leader Four. I can't connect
you with Station One. We have white noise on all channels."
Maskman – whose only link to the outside
world was his radio – could barely hear her speaking. "What? I can't hear
you – I've got white noise on my radio." He tapped his pocket
communicator, but it didn't help….
…In the south of England, an old retired
officer from the lancers was annoyed. His butler was having trouble tuning in
the BBC broadcast.
"Sorry, sir. The Home Service seems
to not be on the air today."
"Dash it all," the old gentleman
complained. "Whatever happened to reliability? Whatever happened to pride
in your work?
"That's the second time in twenty
years."
A STURDILY BUILT fellow entered my office
without an introduction from the girl in the outer office. It was my partner,
David McDaniel. Dave, author of an assortment of spy novels and SF stories, was
also a proficient marksman who sometimes joined me on my adventures. At the
studio, he mostly practiced his favorite trade, as Director of Photography and
Key Film Editor. Additionally, he kept an eye on things on the set until I
arrived to take over the Director's chair.
Presumably, he had come up to report on
the morning's studio activity. Radio or no, Production would go right along –
at least unless the static interfered with the Nagra sound recorders.
"See?" I said, "They're
floating in already. Max Decker, you remember my right-hand man, David
McDaniel?" Max waved a greeting.
"Hiya, Siya," Dave responded, "Hi,
Deck." He brushed a stray lock of his pale brown hair away from his green
eyes and said, "I was just down on the set. Robin's supervising the swing
gang down on stage B. …Who's floating in?"
"Nobody in particular, just
Swashbucklers in general. I've got a feeling we've got a big problem ahead."
"Bob and Bill expected?" Dave
asked. He referred to our comrades in film and arms, Robert Short and William
Mills, who not only worked on stunts, effects, and music for CLJII Pictures,
but also lent their fists and brains to the fight for Justice.
"Well," I explained, "Robert
is up at Vasquez Rocks with the Effects crew placing charges for tomorrow's
location shoot. Lord knows where William has gotten himself to... But I assume
they'll both be along sometime today."
The door opened again, and my Executive
Secretary stepped in. Heather McKenzie, beautiful, smart, with pretty blue-green
eyes and soft light brown, almost blonde, hair, had been with me for several
years, handling everything from a Continent-Eight attack to stalling off
no-talent Hollywood bimbettes looking for work.
"Sire? There's a woman outside to see
you." It was a familiar situation, though not one often brought to my
attention.
"Only one?" quipped McDaniel.
"Well," McKenzie allowed, "there
are about a dozen waiting... but this one seemed special."
The girl in question had poked her head
in. Seeing who she was, I said, "She certainly is!"
She came running to my open arms. "Uncle
Sire," she cried.
"Illenya Petrina," I greeted
her.
As we hugged, I remembered our last
meeting – which had also been our first. Visiting a Soviet science conference,
to which I had been invited as someone who represented the West and did not
represent US foreign policy, I had met Pyotr Vostok, a member of a science
group I won't name, and had been invited to stay at his home. There I was
introduced to his pretty teen-aged daughter, who, having shown the aptitude,
was already working with her father. Like all pretty teenage girls, she was
quite taken with me.
That had been nineteen seventy-three, and
she'd done an excellent job of growing up in the interim. Even having her
blonde hair pulled into a severe bun in the back didn't detract from her milky
complexion and bright blue eyes; and the plain sweater and skirt and boots she
wore didn't hide her attractive figure.
McKenzie gave her the eye and turned on a
heel, leaving.
"It is good to see you again,"
Illenya told me, "and I wish that was my only reason for coming." She
indicated the others in the room. "May I speak freely?"
"Yes." I introduced the
gentlemen, and ushered the girl to a sofa.
"My country has sent me to ask you to
once again help with a difficult situation; to ask you to oversee the
decommissioning of Utrennaya Zvyozdochka as a gesture of peace to the
western nations."
Not many things catch me off guard. This
did. "You mean Utrennaya Zvyozdochka still exists?"
Deck, surprised at my sudden concern,
asked, "What's this 'Utrennaya' whasis?"
"Utrennaya Zvyozdochka,"
McDaniel thought a moment. "That's Russian for... 'Morning Star'."
"That's right," I said. "A
very poetic name for something quite the contrary.
"It's a leftover from the frantic 'fifties:
an automatic nuclear retaliatory base located in the Caucasus. It launches a
strike automatically unless countermanded every twelve hours by a coded radio
signal!"
Deck, who had leaned back against my desk,
jumped to attention. "Say what? But… that would mean—"
"Exactly. And from her calm demeanor,
I doubt Illenya knows that there's a world-wide radio blackout!"
The Russian gasped. "What is this?"
I explained what we believed about the
interference.
She blanched. "But if Moskva cannot radio
the base, the computer will assume that Russka has been destroyed!"
"Yes," I added, "and blast
the US to atomic rubble in retaliation! Unless we can get there in time and
stop it!"
I turned to Max Decker. This re-stacked
the cards. "This is far more important than the radio blackout itself. The
whole world could be doomed! You hold down the fort here. I'll be back."
I headed for the side door, the one that
led straight to the inner courtyard. "Illenya – come with me – quick!!"
I breezed past McKenzie, who, having
overheard the whole story, was returning from her office. McDaniel joined her
as I left. She remarked, "If he's not back in a few hours, the whole world
could be doomed."
David nodded absently. "Maybe we
should run and hide.
"...As soon as we figure out where."
RESTING IN A launching cradle in a
courtyard beyond sound stage A was a singular aircraft. Designed like a
scaled-down Concorde, with swept-back delta wings and a droop nose, His Majesty's
– well, My – Ship Skystar was the only 'plane of its kind. The
entire underside of the fuselage was lined with plates made of CL-arium, a
unique metal the properties of which include the ability to screen out the
force of gravity itself. Since I'd discovered it and found a way to synthesize
it, I got to name it. I told you modesty wasn't one of my strong points.
As Illenya strapped herself in, I fired up
the twin Rolls-Royce engines. The ship trembled against the docking clamps,
until I touched the button that blew them free.
Skystar
shot into the heavens at tremendous speed. With an effective weight of only a
few pounds, the engines could push the massive craft well beyond the speed of
sound. We'd be over the Soviet Union in a couple of hours.
Lining up on magnetic north, I pushed back
from the control panel. George could fly it from here. I needed more info from
Illenya.
"Do you know the details of how 'Morningstar'
is set up?"
"No, no details," she said. "I
was just to ask you to meet with our people and watch so that your President
would be assured of our sincerity."
"He's not my President,"
I pointed out. "Without the schematics, and with so little time to spare,
I may have to do this the hard way."
"Hard way?"
"Rockets don't fly very well if you've
beaten them to pulp with your bare hands."
FAR BELOW, MY friends watched the tiny
black speck that was Skystar disappear into the northern sky. McDaniel's
trained eye spotted something else, though. He pointed and asked, "What's that?"
The others saw it too, a tiny gleam of
light racing across the heavens, doing something all but impossible: catching
up with Skystar!
Then the glint vanished, but a moment
later something happened to prove that it had not been an optical illusion.
As something flashed past my field of
vision, Skystar was rocked by a tremendous explosion!!
The port engine was wrecked, and the whole
ship lurched over. Illenya, who had released her seat belt, was thrown across
the cabin. Falling myself, I got under her and kept her from harm.
With the starboard engine still going full
blast, the ship began to loop into a left-handed spin, zooming out-of-control
around the sky.
I made a dive for an access panel – closer
than the controls at the moment – and cut the engines. Skystar continued
its caper across the heavens, but at least it gained a modicum of stability.
Now going to the control console, I
flipped the switch to allow for individual control of the CL-arium plates. By
rocking the application of gravity, I hoped to straighten out the ship. The
problem with gravity manipulation is that inertia doesn't like to play along.
Presently I had us on a straight course.
By letting gravity pull on the tail assembly, I slowed our forward motion. Then
I set all the panels at point zero zero five of one G and let Skystar
float toward the ground. Below was the Antelope Valley, with plenty of
acceptable touchdown points.
I glanced back toward Hollywood, musing, "They're
going to be somewhat surprised down on the ground when they see what hit us."
Illenya, whose hair had come undone in the
shaking, was busily fixing it, but stopped to ask, "You saw something?
What did it look like?"
I had a sketch pad handy, and put my pen
to it, drawing a distinctive shape, with highlighting and everything. Illenya
recognized it. Anyone would.
It was a flying saucer!
Chapter Two
A REAL BARN BURNER
EVEN AS WE drifted to the Valley floor,
that flying saucer was similarly floating down to a landing field somewhere
west of us. A vehicle made entirely of a glass-like material; the convex disc
was all but invisible in the air – except when sunlight glinted off it. Close
up, you could see the indistinct silhouettes of two men inside.
It touched down in the corral of a small
farmhouse, though perhaps "farm" wasn't the right word. The corral
was filled with half a dozen of the glass discs. Stands of tall trees concealed
the improvised landing field from the nearby highway.
As the pilot, a short fellow with an oily
complexion, opened a hatch and exited his craft, another man approached him.
This fellow also had a shiny face, as though he was a profuse sweater. Both men
wore the same outfit, blue-gray coveralls with a large red keystone design on
the back.
The pilot was informed that the commander
awaited his report. Heading into the main house on the trot, he entered a room
filled with scientific paraphernalia. Sitting on an ordinary looking table was
a complicated device that included a round glass viewplate just below a tiny
lens.
The pilot touched a button, and the
viewscreen brightened with the image of an angry man.
He too had that oily complexion, but wore
a different outfit, at least as much as could be seen on the screen.
The two men carried on a conversation in a
very foreign sounding tongue. The pilot explained that, on a patrol, he
had seen an aircraft make a vertical ascent, and had shot it down at once.
The commander wanted to know from where
the craft had arisen, and was surprised to learn that it had come from a
moving-picture studio.
He couldn't think what a fancy vehicle
like that would be doing at such a place, but its very existence suggested a
higher technology that he'd expected. The people responsible for the ship might
uncover their plans.
IT WAS A good concern, for later that day,
after Illenya and I had returned to my offices, I was saying much the same
thing to Max Decker.
"...We may uncover their plans – if
they're the ones who are blanketing the spectrum and blacking out all radio and
'phone communication."
Deck lighted a cigarette, asking, "Do
you think they know about 'Morningstar'? If they do, who'd gain anything from a
nuclear war?"
I thought about it a moment, then
suggested, "Someone who's afraid of the dark? He'd have enough five-legged
glow-in-the-dark sheep to last a long time."
Illenya wasn't happy with this badinage. "Uncle,
can you be serious?"
"Time enough for that later. But what
about your people? Are our Soviet friends on the job?"
"I'm afraid that the guards at Utrennaya
Zvyozdochka are instructed to ignore any and all blandishments from outside
their fence. They will probably shoot as a traitor anyone approaching the site."
"Well, there is another way," I
pointed out. "That flying disc is a hot lead. Since I dislike the
inference of coincidence, it suggests that the black-out guys have people in
this area. If we can locate them we might be able to deactivate whatever's
causing the problem. Then Moscow can radio the code message to reset the timer
on the missiles."
"But how can you find them in time?"
she asked.
"If I can't, I can still go to the
Caucasus the fastest way I can – alone. But we have," I consulted the wall
clock and dredged up the memory of the code sequence (something the Soviets
didn't know I knew, big surprise) and announced, "five and a half more
hours before things get messy. We can wait a while yet before panicking."
"Actually, I think we can start
panicking now," countered Max Decker, who had stepped to the window for
his smoke. "Look."
My eyes followed the line of his pointing
finger. It looked like a formation of window-panes, 'way off in the distance.
Then suddenly the glints of light disappeared.
"Where'd they go?" Deck asked.
My eyes were keener. "Still there –
they've just begun to descend. And they're headed right this way. I think we've
got a fight on our hands."
"Against your flying saucers? How can
we out-fly something that catch Skystar?"
"We can't. But maybe we can
out-maneuver them."
THE MAIN DRIVE of the Studio ran from the
front gate to the flight of stone steps leading up a hill to a low bluff atop
which sat the modest mansion in which I was living at the time. Behind the
offices was a hangar where repairs were done on Skystar and where
several other craft were stored. Among these were some special ships I thought
might serve our purpose at the moment.
The three bi-planes were parked at the
base of the cliff, warming up, when David, Deck, and I got there a minute
later. It pays to have a crew standing by, let me tell you. Two of the ships, a
blue one and a green one, were fitted up to look like World War æroplanes. The
lead ship, black and shiny, was mine.
The flight of glass discs, six of them,
was just diving on the studio, so close they were clearly visible. They zoomed
overhead, dropping some sort of bombs that whistled like the kind the Nazis
used to use. One hit the hangar roof, splashing some sort of flaming chemical
over the building. Another hit near Stage B. The others plunked down in the
studio lake, landing with a whoomp! and burst of steam.
The fire alarm went off and men ran to put
out the blazes. I waved to Dave and Deck and raced the motor in my 'plane, rolling
forward. We all had to dodge around the firefighters, but taxied down the main
driveway and got into the air without difficulty, skimming the sign over the
driveway entrance by inches.
The discs stopped dead in the air and
reversed direction, heading, as I had hoped, for us instead of the studio lot.
I pulled an inside wingover and flew straight at them, breaking up their
formation. Deck followed me around, and got one of them in his sights.
His ship had twin guns, synchronized with
the propeller, and he blasted away, hitting the disc a dozen times before it
jerked out of the way.
Dave had gone over the top, and dropped
down on two of the enemy, blazing away. Rolling over, he just missed getting
hit by some sort of ray beam.
McKenzie and Illenya watched in
fascination. Above them, the three little bi-planes soared around, making tight
turns, loops, and rolls, while the almost invisible discs cut right angles
through the flight patterns.
At one point, David dropped down, swinging
up, and discovered that he was invisible to the enemy from that angle. Decker
caught on, and the two of them began swooping up on the discs, scoring repeated
hits.
At first the discs had seemed unaffected
by the fusillades, but presently began to show signs of wear and tear under the
long bursts the boys could now fire. Two of the saucers had begun to wobble,
and retreated.
To keep the others busy, I kept arcing
overhead, confounding the enemy pilots with my prescient out-maneuvering of
their ray blasts.
Then one of the saucers dropped straight
down, as though damaged, but abruptly stopped and wheeled up after Dave's 'plane.
I snapped back the stick, tumbling my ship over backward, and dived straight at
the disc. My 'plane had no guns, but it had me.
Just short of a collision, I rolled the 'plane
over and dropped out, hurtling straight at the menacing saucer. Turning over, I
came at them feet-first. I can't imagine what the people inside must've
thought.
I hit the disc's trailing edge, jolting it
severely. Taking the impact with bended knee, I bounced back, springing up and
into my æroplane again as it loop-de-looped around.
The glass disc, though, spun
out-of-control, and hurtled to earth, crashing against the hillside near my
house. At that, the three remaining saucers suddenly zipped away, heading west
and up at tremendous speed.
I signaled Dave and Deck to land, but
ascended to check on the enemy. The discs were already out of sight for normal
eyes, but I could just make them out.
When they descended toward a farm of some
sort out past Agoura Hills, I got a visual fix on it and turned back for the
studio. I'd had enough aircraft shot out from under me for one day.
AN HOUR LATER I was westbound on the
Ventura Freeway, sitting in the back seat of a very special automobile. By the
time I'd returned to the studio, Dave and Deck were waiting anxiously to get
going again. Mister Mills and Mister Short had also arrived, and were champing
at the bit to join in whatever was going on.
That made quite a gang, and so, when I
explained our next step, it was decided that we'd take Robert's car, it being
the biggest.
Bob Short's car, a big Chrysler. was a
replica of "Black Beauty" from the "Green Hornet"
television series. As we were climbing aboard, Illenya came running out after
us.
Rather than argue with her, I let her come
along. Robert drove, with Dave and Deck up front. Bill Mills sat behind Bob,
while Illenya leaned against me.
As the road dropped into the Conejo
Valley, I directed Bob's attention to some structures partially visible through
a stand of trees north of the highway. At the next ramp, we got off, beginning
a jaunt through a maze of back-country roads none of which seemed to go where
we wanted to go. Finally, I told Bob to pull up beside the railroad tracks
beyond which were the target trees.
"Stay with the car," I told
Illenya.
"Maybe I better stay with her,"
Bill offered.
Bob opened his door and hauled him out. "Maybe
you'd better come with us. Be easier on my upholstery."
She locked the doors from the inside as we
started across the right-of-way. Deck checked his pistol, a Police Positive
thirty-eight, and kept it in his hand. Dave, Bill, and Bob, each of whom
carried a nine-millimeter Walther P-thirty-eight, checked his piece and then
replaced it in his shoulder holster.
BEYOND THE TREES was an old board fence,
and beyond that the corral being used as a landing field for those glass
saucers. Workmen were toiling over two of the discs, spackling on some compound
that seemed to heel the pits and gouges made by machine-gun fire.
The boys crouched down against the trees
while I slipped up to the fence, locating a proximity-alarm wire running along
the upper edge. I signaled to the others to head along the trees toward the
rear of the barn, and disappeared.
A minute later I joined them behind the
barn, about ten feet from the fence. "The alarm wire goes all the way
around. We'll have to go over the top."
Dave wasn't happy about that, and Deck was
puzzled. "Over the top? How?"
"Watch," Bill told him.
I stood a few feet from the fence, and
Bill ran straight toward me. As he passed I grabbed him and threw him over the
fence, a sort of a pop fly. He landed in the grass behind the barn, tucking,
rolling, and coming up to his feet.
Bob followed a moment later. Stuntmen,
both of them were used to this kind of thing. Dave, a cameraman, wasn't. But
Bob and Bill beckoned him to come on, and finally he did.
He landed a bit clumsily, though the boys
caught him handily. I threw Deck after them and pointed for them to slip inside
the barn. Then I went around the long way again.
They entered through the side door to a
tack room, and checked out the barn.
Though hay was piled up in the loft, it
was obviously a long time since the place had been used in any farming
activity. Pitchforks, hoes, and assorted tools lay along one side. Horse tack
could be seen through the open door to a small room. A bulldozer, probably last
used to level the corral for a landing field, stood against the rear wall.
Meanwhile, I was slipping into the main
house through a window on the far side.
I was in a bedroom that had been converted
to some sort of barracks. Ten wooden cots, hardly more than pallets, filled up
the room. Between each pair was a table made of one of those big wooden spools
used for heavy cable.
On one of these was an odd-looking book
with a green cloth cover. At the time I noticed it only in passing. Because
just then I heard the alarm.
It was just a buzzer from the next room,
but the commotion it caused left no doubt as to its meaning. I went back
outside to see what was up.
Three men were running toward the rear
fence. There they jumped someone who was trying to hide.
It was Illenya. Apparently, she had found
herself unable to sit and wait and, despite my instructions, had followed us.
Unawares, she had set off the proximity alarm. Two men in coveralls began to
drag her toward the house, and I prepared for the standard rescue scene.
But then the third man barked an order,
speaking some language I didn't understand, and he and one of the first two
entered one of the discs, dragging the girl with them.
It began to rise almost immediately,
leaving me no choice. I raced forward from concealment and leaped for the disc.
As I did, voices began yelling.
I just caught the lip of the saucer,
dragging it down, but the ship kept going, hauling me away with it.
Dozens of the coveralled workers came
running out of the house, pointing and shouting. The commotion brought my boys
to the barn door, trying to see what was going on without being seen.
They failed at the latter. The first they
realized this was when a ray-gun blast exploded against the door near them.
Workers brandishing ray-pistols began firing at them, and the boys dived for
cover.
The boys returned the fire, but few
targets presented themselves. Meanwhile, ray-gun blasts were igniting tiny
fires all over the front of the building.
And then a ray-blast hit the hay! The dry
straw all but exploded from the heat, raining fiery brands all around the boys!
Deck ran for the door to the tack room,
dodging just in time as a ray-gun beam shot through from outside. The others
retreated toward him, before they realized there was no place to go!
As the fire spread, the hayloft collapsed
and the walls began to buckle!!
Keep reading the Emperor's Gambit...
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Keep reading the Emperor's Gambit...
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